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由武松的塑造看香港邵氏电影《快活林》的文学改编意识
引用本文:王凡.由武松的塑造看香港邵氏电影《快活林》的文学改编意识[J].菏泽学院学报,2014(1):24-28.
作者姓名:王凡
作者单位:陕西理工学院文学院,陕西汉中723001
摘    要:作为我国古代英雄传奇小说的代表作,《水浒传》在1972年被香港邵氏兄弟有限公司以情节"节选"的方式改编拍摄成为电影《快活林》。该片导演张彻在相对尊重原著精神的基础上对武松这一小说中极富传奇性的人物形象进行了较为深入的改编式重塑,通过对其侠义性格的着意彰显与小说中男性情谊的有意张扬令这一艺术形象更显丰满、立体,体现出改编者对于小说原著思想内涵的特殊理解及当时香港电影对于《水浒传》的独特诠释。

关 键 词:《水浒传》  电影《快活林》  武松  张彻  文学改编

On the Consciousness of the Literature Adaption of the Moive Kuai huolin through Characterizing the Image of Wu Song
WANG Fan.On the Consciousness of the Literature Adaption of the Moive Kuai huolin through Characterizing the Image of Wu Song[J].Journal of Heze University,2014(1):24-28.
Authors:WANG Fan
Institution:WANG Fan (Literature College,Shaanxi University of Technology, Hanzhong Shaanxi 723001, China)
Abstract:Substract:As the important works of the heroic novels in ancient China, Water Margin was adapted into the movie Kuaihuolin by "SHAW BROTHER ( HONG KONG) COMPANY LTD" in 1972. Zhang Che, the director of the movie characterized the image of Wu Song more deeply , who is legendary image of the Water Margin. By the strengthening of character of swordman and the ascension of the male friendship in the Water Margin, the movie Kuaihuolin made the image of Wu Song become richer and more dimensional, reflecting the special understanding on themes of the Water Margin and the unique interpretation of HONG KONG moives on the Water Margin.
Keywords:Water Margin  the Moive Kuaihuolin  Wu Song  Zhang Che  literature adaption
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