云南青铜器:实用与审美的双重变奏

云南青铜器铸造的最初动因虽多不为审美观赏,但作为适用于云南古代民族生存之需、主载着他们信仰观念的三维器具,其始于实用的器型中包涵着诉诸视觉和谐与愉悦的审美意蕴。文章在析出文献及考古实证的基础上,撷取多样化的实用器具和作为礼、法重器的铜鼓,描述与阐释云南青铜器诸形式要素中混融着实用功能、原始信仰观念的特有的民族审美意识及其特定的文化精神。

Yunnan Bronze Ware: The Dual Variation with Practicality and Aesthetics

Although the initial impetus of founding bronzes in Yunnan was not for aesthetic purpose,these three-dimensional apparatuses,which were used for the survival of ancient Yunnaness,and engraved with their beliefs,contained aesthetic purport in the form of vision harmony and joviality.In this paper,based on documents and archeological field works,the author concentrates on the multiple practical instruments and bronze drums,which are considered as important instruments for ceremonies,and describes and explains the ethnic aesthetic consciousness and their unique cultural spirit,which are characteristics of Yunnan Bronzes and mixture of practicality and primitive belief.