| 即兴伴奏与正谱伴奏关系浅析 |
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| 引用本文： | 汪在东.即兴伴奏与正谱伴奏关系浅析[J].韶关学院学报,2014(9):140-142. |
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| 作者姓名： | 汪在东 |
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| 作者单位： | 韶关学院 音乐学院,广东 韶关,512005 |
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| 基金项目： | 2014年韶关学院一般项目“高师钢琴伴奏课一贯制教学模式探讨” |
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| 摘 要： | 正谱伴奏与即兴伴奏孰是孰非都是片面的，惟一区别在于准备时间的长短，两者是相辅相成、互为补充的关系，两种技能都熟练掌握才是钢琴演奏者成长的关键。
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| 关 键 词： | 钢琴 即兴伴奏 正谱伴奏 |
A Brief Analysis of Relationship between Piano Impromptu Accompaniment and Positive Spectrum Accompaniment |
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| WANG Zai-dong.A Brief Analysis of Relationship between Piano Impromptu Accompaniment and Positive Spectrum Accompaniment[J].Journal of Shaoguan University(Social Science Edition),2014(9):140-142. |
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| Authors: | WANG Zai-dong |
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| Institution: | WANG Zai-dong (College of Music, Shaoguan University, Shaoguan 512005, Guangdong, China) |
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| Abstract: | Positive spectrum accompaniment and improvisational accompaniment which one is more important is one -sided. The only difference between them is that the preparation time. The two are complementary, mutually complementary, and that two kinds of skills are mastered is the key for the pianists ’ growth. |
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| Keywords: | piano impromptu accompaniment positive spectrum accompaniment |
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