| 米兰·昆德拉小说艺术初探 |
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| 引用本文： | 李雪梅.米兰·昆德拉小说艺术初探[J].潍坊学院学报,2002,2(1):40-42. |
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| 作者姓名： | 李雪梅 |
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| 作者单位： | 潍坊学院,中文系,山东,潍坊,261043 |
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| 摘 要： | 捷克流亡作家米兰·昆德拉提出了“存在”之思的小说观 ,认为小说主题是对“存在”的质询 ,他把作品的重点放在对人的“存在”的阐释上 ,从而形成哲理思辨型小说。昆德拉在小说创作上进行了一系列探索 :诸如“彻底剥离”的艺术方式、“对位法式的新艺术”、“专具小说特点的论文式的新艺术”等等 ,都曾被他成功地尝试过。昆德拉善于在言简意赅的叙事中解剖纷至沓来的存在 ,从而形成了自己清新而独特的艺术风格 ,也为人们提供了丰富的创作经验
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| 关 键 词： | 存在 剥离 复调 质询 |
| 文章编号： | 1671-4288(2002)01-0040-03 |
| 修稿时间： | 2001年9月24日 |
On the art of Milan kundera's novel |
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| LI Xue-mei.On the art of Milan kundera''''s novel[J].Journal of Weifang University,2002,2(1):40-42. |
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| Authors: | LI Xue-mei |
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| Abstract: | Milan Kundera,Czechoslovakian writer-in-exile,put forward the idea of existence about a novel.He thought the theme of a novel was an inquiry of existence.And he put the emphasis of a novel on the illustration of human existence.So philosophic and dialectical novels are formed.Kundera ever managed to make a series of probes into the creation of novels such as the artistic form of thorough stripping,the new art of novel-characterized thesis form,etc.Kundera did well in the analysis of continuous existence in brief and concise narration.Therefore,he formed his fresh and distinctive artistic style and provided us abundant experiences of creation. |
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| Keywords: | existence stripping polyphony inquiry |
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