"妙悟"与"诗法"--试论唐宋以来古典诗歌理论的发展

唐宋以后，中国古典诗学在范古问题上形成了“诗法”与“妙悟”两条路线的对立与纠结。严羽“妙悟”说对后期诗学形成主导性影响，但这并没有抵消“诗法”论存在的必要性。李梦阳等人推崇严羽却又大谈“法式”的矛盾现象，说明“诗法”是研习创作的客观要求；而“妙悟”作为一种鉴赏感悟活动，固然有指向独创性的积极意义，而其对于“诗法”论的渗透，导致后期“诗法”论过分注重对格调意趣的感悟式表述，远离了“诗法”本有的创作论主旨。这两方面的事实表明，“诗法”和“妙悟”各有不同的适用方面。而“诗法”对于创作的研习尤其具有无可替代的意义。

Witticism and Poetry Rhyme--Development of classical poetry theory since Tang and Song dynasties

Ever since Tang and Song dynasties, Chinese classical poetry has confronted with contradiction and entanglement of witticism and poetry rhyme. Yan Yu's theory of witticism had produced a dominant influence on the late periods, but it had no effect on the theory of poetry rhyme. Scholars such as Li Mengyang spoke highly of Yan Yu, while commenting a lot on the contradiction of poetry rhyme. It showed that poetry rhyme was an objective requirement in poetry learning and writing. Witticism, as an appreciation and comprehension, was of great significance in creativity, but, with the penetration of poetry rhyme, it led to much more attention to the expression of style, interest and charm, away from its original intention of poetry rhyme. This indicted that both had their own uses and functions, however, poetry rhyme was indispensable in poetry learning and writing.