| "陌生化"与中国古代小说的审美效果 |
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| 引用本文： | 夏文建. "陌生化"与中国古代小说的审美效果[J]. 新余高专学报, 2006, 11(5): 61-63 |
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| 作者姓名： | 夏文建 |
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| 作者单位： | 浙江师范大学,人文学院,,浙江,金华,321004 |
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| 摘 要： | “陌生化”理论虽然源自西方,但是对“陌生化”的体验和艺术实践绝非囿于某一时代或某一民族,而是古今中外文艺实践活动中普遍存在的特征。“陌生化”理论也被自觉不自觉地运用于中国古代的小说创作中,从而使中国古代小说具有了震撼人心的审美效果。
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| 关 键 词： | 陌生化 中国古代小说 审美效果 |
| 文章编号： | 1008-6765(2006)05-0061-03 |
| 收稿时间： | 2006-06-25 |
| 修稿时间： | 2006-06-25 |
Unfamiliarization and The aesthetic effect Of Chinese Classical fiction |
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| XIA Wen-jian. Unfamiliarization and The aesthetic effect Of Chinese Classical fiction[J]. Journal of XinYu College, 2006, 11(5): 61-63 |
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| Authors: | XIA Wen-jian |
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| Affiliation: | Zhejiang normal university, Jinhua 321004, China |
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| Abstract: | As a general principle,"Unfamiliarization" has solid and comprehensive psychological base,"Unfamiliarization" is fully used at every level of art works and embodied in every direction and aspect."Unfamiliarization"had also been used in the creative writing of Chinese Classical fiction self-consciously or not,so that Chinese Classical fiction has the heartquake aesthetic effect. |
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| Keywords: | Unfamiliarization Chinese Classical fiction aesthetic effect |
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