| 壮族的戏曲剧种及其历史地位与经验 |
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| 引用本文： | 李悦.壮族的戏曲剧种及其历史地位与经验[J].文山师范高等专科学校学报,2011,24(2):1-5. |
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| 作者姓名： | 李悦 |
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| 作者单位： | 中国艺术研究院戏研所,北京,100029 |
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| 摘 要： | 壮族的戏曲剧种,可分为壮剧和壮师剧;壮剧依流布地域不同,又可分为广西壮剧和云南壮剧。在中国少数民族戏曲中,壮剧占有突出的历史地位,其文化传统深厚、社会影响广泛、艺术形态完整、剧团结构合理,显示出一个成熟剧种的特有品质。而走专业与业余剧团共同发展的道路,紧抓民俗与民生的生命线,则是壮剧发展的重要成功经验。
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| 关 键 词： | 壮族 戏曲剧种 历史地位 发展经验 |
Zhuang Nationality's Kinds of Operas and Their Historical Position and Experience |
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| LI Yue.Zhuang Nationality's Kinds of Operas and Their Historical Position and Experience[J].Journal of Wenshan Teachers College,2011,24(2):1-5. |
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| Authors: | LI Yue |
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| Institution: | LI Yue(Institute of China Art Research,China Art Research Academy,Beijing 100029,China) |
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| Abstract: | Kinds of Zhuang nationality＇s operas fall into Zhuang nationality＇s drama and poem drama.Zhuang nationality＇s drama falls into Guangxi and Yunnan branches according to different distribution regions.Zhuang nationality＇s drama has prominent historical position with its deep culture,wide influence,complete art forms,reasonable troupe structure and mature unique features among China minority operas.The successful experience of Zhuang nationality＇s drama development is to develop professional and amateur troupe together and grasp the lifeline of folk custom and people＇s livelihood. |
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| Keywords: | Zhuang nationality＇s drama kinds of operas historical position development experience |
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