浅谈黄宾虹李可染的“用光”特点——兼论中国画的“用光”

黄宾虹“用光”的特点，偏重和谐，采用正面散光，含蓄丰富，繁密多变；李可染师承宾虹，其“用光”特点，偏于强烈，多采侧逆光，简洁明朗，洗练、统一。传统中国画的技法，多用“笔”“墨”，虽有“用光”，但极少触及理论研究。事实上，“用光”在绘画上有着强大的表现力，中国画要有所创新，当拓展对光和面的技法研究，从而建立起中国画“用笔”“用墨”之外的第三技法系统。在这方面黄李二人则已从实践和理论上为我们开辟了一条可行之道

Some Features of Coloured Light in Huang Binhong and Li Keran's Chinese Paintings

As far as the techniques of employing light in Chinese paintings are concerned, Huang Binhong stresses harmony, transmitting light from the front rich implications, density and variety, while Li Keran, Huang's former pupil, prefers high light, transmitting light from the side, briefness, brightness and unity. In the arts of traditional Chinese paintings, much attention is devoted to the techniques of using painting brushes and Chinese ink skillfully. Although some consideration is said to have been given to how to make the best use of coloured light, little attention has been paid to the theoretical research on this field. However, the techniques of employing coloured light can produce the strong power of expression in painting, and blazing new trails in the arts of Chinese paintings cannot do without an extensive research on the techniques of using light and surface. Therefore, it is necessary to create the special techniques of using light as complementation to existing Chinese paintings techniques of using painting brushes and Chinese ink. And in this field, Huang and Li's theories and practice have actually paved a way for us to follow.