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弦振泛频分析及演奏中的泛音
引用本文:韩佩琦,王文武,刘天山,高新存.弦振泛频分析及演奏中的泛音[J].河北科技大学学报,2007,28(3):190-193.
作者姓名:韩佩琦  王文武  刘天山  高新存
作者单位:1. 河北科技大学理学院,河北石家庄,050018
2. 河北地质职工大学教务处,河北石家庄,050081
基金项目:河北科技大学校科研和教改项目
摘    要:根据弦振驻波的规律,证明了弦乐器振动中各次振动的振幅递减之规律,给出了演奏中准确的泛音触弦位置,揭示了拉弦类乐器泛音的物理本质,是设计扩展音域、增加自然泛音的理论根据。

关 键 词:驻波  基频  泛频  音域  简谐函数
文章编号:1008-1542(2007)03-0190-04
收稿时间:2006/11/21 0:00:00
修稿时间:2006-11-21

Analysis of the string vibration frequency and the overtone during playing the musical instruments
HAN Pei-qi,WANG Wen-wu,LIU Tian-shan and GAO Xin-cun.Analysis of the string vibration frequency and the overtone during playing the musical instruments[J].Journal of Hebei University of Science and Technology,2007,28(3):190-193.
Authors:HAN Pei-qi  WANG Wen-wu  LIU Tian-shan and GAO Xin-cun
Institution:1. College of Sciences, Hebei University of Science and Technology, Shijiazhuang Hebei 050018, China; 2. Academic Affairs Of- flee, Hebei University of Geology Staff, Shijiazhuang Hebei 050081, China
Abstract:According to the law of the string vibration standing wave,we have proven the rule that each vibration oscillation amplitude of the stringed musical instrument decreases progressively.The accurate overtone string position during the performance was also given.The overtone physical essence of bowed instrument was revealed.It's the theoretic basis for designing the sound territory and strengthening the natural overtone.
Keywords:standing wave  pitch  overtone  sound territory  harmonic function  
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