| 从俄国形式主义到接受美学 |
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| 引用本文： | 龚北芳.从俄国形式主义到接受美学[J].大庆师范学院学报,2006,26(4):76-79. |
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| 作者姓名： | 龚北芳 |
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| 作者单位： | 大庆师范学院,中文系,黑龙江,大庆,163712 |
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| 摘 要： | 接受美学是以读者的接受为研究中心的文学理论。它受到俄国形式主义的文学自主性和陌生化理论的直接影响。在接受美学的阅读、读者和文本、文学史的演变等重要理论中,都可看到俄国形式主义文学理论的痕迹。俄国形式主义文学理论是接受美学的先驱。
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| 关 键 词： | 接受美学 形式主义 陌生化 文学史 |
| 文章编号： | 1006-2165（2006）04-0076-04 |
| 收稿时间： | 2006-01-10 |
| 修稿时间： | 2006年1月10日 |
From Russian Formalism to Reception Aesthetics |
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| GONG Bei-fang.From Russian Formalism to Reception Aesthetics[J].Journal of Daqing Normal University,2006,26(4):76-79. |
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| Authors: | GONG Bei-fang |
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| Institution: | Chinese Department, Daqing Normal University, Daqing163712, China |
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| Abstract: | Reception aesthetics is a kind of literature theory which focuses on authors' receptions as its main.The theory is directly influenced by the theories of literary autonomy and defamiliarization of Russian formalism.The theory of Russian formalism literature can be found more or less in the reading,readers and works of reception aesthetics as well as in the important theories of literature evolution,etc.Reception aesthetics developed from the theory of Russian formalism. |
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| Keywords: | reception aesthetics formalism defamiliarization history of literature |
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