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逞才肆情:古典戏曲的诗性价值观
引用本文:易勤华.逞才肆情:古典戏曲的诗性价值观[J].新余高专学报,2006,11(5):52-54.
作者姓名:易勤华
作者单位:江西国际信托投资股份有限公司,江西,南昌,330046
摘    要:中国古代剧作家尤其是文人剧作家创作时,在重视戏曲的“风化”和“乐人”这种教化与娱乐的功用哆同.寸,更;的体现出“诗言志”的传统的承续情感至上的戏曲价值观使戏曲作品成为古代剧作家逞才肆情的载体,成为文人学士们表现内心情感的重要手段,这是作为正统文学的诗词所具备的文学传统在戏曲领域的开掘。戏曲在情感层面上的功能意义的被发掘,标志着戏曲价值观的成熟,也是诗性特征生成的根本动因。

关 键 词:逞才肆情  古典戏曲  情感至上  戏曲价值观  诗性
文章编号:1008-6765(2006)05-0052-03
收稿时间:05 18 2006 12:00AM
修稿时间:2006年5月18日

The poetic value of the Chinese classical operas
YI Qin-hua.The poetic value of the Chinese classical operas[J].Journal of XinYu College,2006,11(5):52-54.
Authors:YI Qin-hua
Institution:Jiangxi International Credit Investment Holding Company, Ltd, Nanchang 330046, China
Abstract:the Chinese writers of ancient operas,especially scholarly writers,attached great importance to the dual functions of teaching and amusement of operas and at the same time,inherited the tradition of "poems express ambition".The value of operas of overstressing emotion turned the opera works into the carriers by which the ancient writers of operas express their talents and feelings as well as the means by which the scholars expressed their inner feelings.This is the exploration of poems as orthodox literature in the field of operas.The exploration of the function meanings of operas at the feeling level marks the maturity of value of operas as well as the fundamental cause for the generation of poetic characteristics.
Keywords:expressing emotion and talents  classical operas  overstressing emotion  value of operas  poetic nature
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