真实全景与视觉平等：简论影视人类学中的影像逻辑与伦理问题

影视人类学作为视觉人类学分支之一,在人类学整体学科发展中经历了从工具论到方法论,再到思维论的变化,逐渐形成以求真、求全为基本原则的影像逻辑。在人类学影像的制作行为中,研究者和对象在镜头内外的关系设置、拍摄者的自我心理定位和后期编配中的文化立场共同构成了影视人类学视觉平等的影像伦理。

Real Images and Visual Equality——On the Image Logic and Ethic Issue in Video Anthropology

Within the subject of anthropology,video anthropology,one branch of visual anthropology,has undergone the process of three steps,from as an organon,a methodology to a thought-way.In the development,the reality,integrality,and the logic principle of images began to form.The ethic of images in visual anthropology,named visual-equality,is the essential criterion for production,and it is composed of three parts.One is the tension between the researcher and object who are separated by the camera lens;the second is the psychological self-position;and the third is the cultural idea during the post making.