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元代戏曲理论中的中国戏曲史
引用本文:段庸生. 元代戏曲理论中的中国戏曲史[J]. 重庆三峡学院学报, 2002, 18(3): 31-33
作者姓名:段庸生
作者单位:重庆商学院旅游系,重庆,400067
摘    要:与元杂剧创作的繁盛相比较,元代没有相称的戏曲理论,因而人们在研究元代戏曲时,多注重作家作品,而忽视元人关于戏曲的理论,事实上,元人关于戏曲的理论虽然零散,但只有披沙捡金,就会发现,元人已从关于戏曲文体流变的研究入手,开始了中国戏曲史的初步建构,这一贡献,具有戏曲的早期史学价值。

关 键 词:元代 戏曲理论 杂剧 文体流变 戏曲史
文章编号:1009-8135(2002)03-0031-03
修稿时间:2001-11-04

The History of the Chinese Traditional Opera in the Operatic Theory in Yuan Dynasty
DUAN Yong-sheng. The History of the Chinese Traditional Opera in the Operatic Theory in Yuan Dynasty[J]. JOurnal of Chongqing Three Gorges University, 2002, 18(3): 31-33
Authors:DUAN Yong-sheng
Abstract:In the studies of the opera in Yuan Dynasty, more attention is paid to the operatic works than to the operatic theory. Virtually scholars in Yuan Dynasty had their theories of opera, though unsystematically or in disorder. However, thorough study reveals that the scholars in Yuan Dynasty, who started with the stylistic evolution, did approach the stylistic characteristics of the poetic drama and the relationship between its origin and development, thus setting up the framework by stages of Yuan Dynasty and possessing an embryonic form of drama history.
Keywords:poetic drama  stylistic evolution  history of poetic drama  
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