| 现代艺术与原始艺术内蕴的融合 |
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| 引用本文： | 叶桦. 现代艺术与原始艺术内蕴的融合[J]. 韶关学院学报, 2004, 25(8): 83-86 |
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| 作者姓名： | 叶桦 |
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| 作者单位： | 浙江丽水职业技术学院,工艺美术系,浙江,丽水,323000 |
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| 摘 要： | 原始艺术充满神秘美的魅力。现代艺术从造型到审美都融合了原始艺术的内蕴，从而扩展了现代艺术的创造力，促进艺术风格的形成。随着现代艺术向原始艺术回归，现代艺术开始以抽象形式突破了以具体形象表现思想与感情的传统艺术的窠臼，否定内容对形式的决定作用，形成了内容即形式、形式即内容的艺术特征。
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| 关 键 词： | 现代艺术 原始艺术 造型手法 艺术风格 回归 |
| 文章编号： | 1007-5348(2004)08-0083-04 |
| 修稿时间： | 2004-03-23 |
The Integration of Accumulation in Modern Art and Original Art |
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| YE Hua. The Integration of Accumulation in Modern Art and Original Art[J]. Journal of Shaoguan University(Social Science Edition), 2004, 25(8): 83-86 |
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| Authors: | YE Hua |
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| Abstract: | Original art is full of beautiful mysterious glamour. Modern arts merge the accumulation of original art either in modeling or from aesthetic aspect, thus expand the creativity of modern art, promote the forming of the artistic style. The article also explores the phenomenon that modern art returns to original art, therefore from then on, modern art begins by abstract form to break through the traditional arts which represent thought and emotion by specific image, and denies the decisive effec't of content on form and form an art characteristic that content is equal to form, while form is equal to content. |
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| Keywords: | modern art original art the tactics of modeling the artistic style the returning to original state |
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