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论《周易》审美思想的生态意蕴
引用本文:罗移山. 论《周易》审美思想的生态意蕴[J]. 孝感学院学报, 2000, 20(1): 32-36
作者姓名:罗移山
作者单位:孝感师范高等专科学校,政史系,湖北,孝感,432100
摘    要:<周易>是中华文化的源头活水,它既蕴含着民族先哲们的理性精神,又凝结着华夏儿女的审美情结.<周易>是中华民族在漫长的历史演进中与自然相依相通的产物,是中国传统美学的思想渊源.天人合一,心物交融体现着<周易>的审美境界,立象尽意为中国传统美学提供了基本的审美原则,阴阳平衡论是中国传统美学的审美取向和基本形态.<周易>美学思想深刻反映了中华民族的生态意识.

关 键 词:周易  天人合一  阴阳    生态危机
文章编号:1007-1075(2000)01-0032-05
修稿时间:1999-09-06

On the Ecologic Thought of The Aesthetics of The Book of Changes
LUO Yi-shan. On the Ecologic Thought of The Aesthetics of The Book of Changes[J]. JOURNAL OF XIAOGAN UNIVERSITY, 2000, 20(1): 32-36
Authors:LUO Yi-shan
Abstract:The Book of Changes is the source of the Chinese culture. It contains the rational spirit of the sages of our nation and embodies the aesthetic complex of the Chinese descendants. The Book of Changes is the result of the loog historic evolution of the Chinese nation in complete accordance with nature. It is the ideological source of traditional Chinese aesthetics. Heaven and man in unity and mind in perfect harmony with nature represent the ideal aesthetic state of The Book of Changes, meaning expressed by images gave traditional Chinese aesthetics basic aesthetic principles and keeping balance between yin and yang is the aesthetic orientation and basic pattern of traditional Chinese aesthetics. The aesthetic thought in The Book of Changes reflects the ecologic consciousness of the Chinese nation.
Keywords:The Book of Changes  heaven and man in unity  yin and yang  aesthetic  ecologic crisis  
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