| 浅析芭蕾舞蹈之钢琴伴奏 |
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| 引用本文： | 汪在东. 浅析芭蕾舞蹈之钢琴伴奏[J]. 韶关学院学报, 2010, 31(7): 87-89 |
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| 作者姓名： | 汪在东 |
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| 作者单位： | 韶关学院,音乐学院,广东,韶关,512005 |
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| 摘 要： | 芭蕾舞被誉为＂足尖上的精灵＂,在训练和表演中,钢琴伴奏占有重要的地位。钢琴伴奏者应该具备过硬的钢琴基本功,高度的审美和音乐鉴赏能力,良好的职业道德品质。
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| 关 键 词： | 芭蕾舞 钢琴伴奏 能力 |
On Piano Accompaniment for Ballet |
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| WANG Zai-dong. On Piano Accompaniment for Ballet[J]. Journal of Shaoguan University(Social Science Edition), 2010, 31(7): 87-89 |
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| Authors: | WANG Zai-dong |
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| Affiliation: | WANG Zai-dong (School of Music,Shaoguan University,Shaoguan 512005,Guangdong,China) |
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| Abstract: | Ballet is known as ＇ghost on the tip-toes＇.Piano accompaniment plays significant role in the training and performing of ballet.The piano accompanist ought to have a perfect mastery of basic piano skills and an extraordinary competence on appreciation of music,with aesthetic eyes and proper professional ethics. |
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| Keywords: | ballet piano accompaniment competence |
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