对西学东渐时代文人画形式美的再认识

随着西方图式的形式审美观念的传入，传统文入画的形式美附庸于内容美的观念发生了极大变化。尤其是从高剑父、高奇峰“岭南画派”的折衷中西开始，到徐悲鸿、林风眠等各不相同的中西融合，再到吴冠中等人对形式美的推崇，开创了文人画形式美的新传统。通过对文人画形式美发展脉络的再梳理，可以认为在西学东渐时代背景中，形式美作为一种独立的审美意识得以体现。

Recognition of Formal Beauty in the Literati Paintings against the Orientalization of Western Styles

With the introduction of Western schematic formal aesthetic ideas, the concept of attaching the formal beauty to content beauty has changed a lot in traditional literati paintings. Especially, from the compromise between Chinese and western styles by Gao Jianfu, Gao Jifeng of ＂lingnan school＂ to combination of Chinese and western styles by Xu Beihong and Lin Fengmian etc., then to the praise of formal beauty by Wu Guanzhong, new style of formal beauty starts in the traditional literati paintings. The paper analyzes the development of formal beauty in the literati paintings and thinks that formal beauty emerges as an independent aesthetic consciousness against the background of orientalization of western styles.