| 近代“宋诗派”宋诗接受的范型文本与美学视角 |
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| 引用本文： | 王顺贵. 近代“宋诗派”宋诗接受的范型文本与美学视角[J]. 贵州师范大学学报(社会科学版), 2009, 0(1) |
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| 作者姓名： | 王顺贵 |
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| 作者单位： | 苏州科技学院,人文学院,江苏,苏州,215009 |
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| 摘 要： | "不墨守盛唐"几乎成了近代"宋诗派"审美宗趣的最大表征,尽管这一概括显得较为含混不清,却揭示了这样一个事实,即"宋诗派"所取法的诗法家数是以特定的文本为实质内容的."三元"与"三关"说为"宋诗派"主流所孜孜追摹的范型文本,但具体辨绎,各家所宗主的模本并不完全一致,体现出各家不同的审美取向,而其羽翼的多向拓展,又从各方面丰富了"宋诗派"的诗学内涵,也为"宋诗派"开拓出宏阔的局面.
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| 关 键 词： | 近代" 宋诗派" 宋诗接受 范型文本 美学视角 |
Acceptable Text Norm and Aesthetic Perspective of Modern Song Poetry of "Song Poetry Faction" |
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| WANG Shun-gui. Acceptable Text Norm and Aesthetic Perspective of Modern Song Poetry of "Song Poetry Faction"[J]. Journal of Guizhou Normal University(Social Science Edition), 2009, 0(1) |
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| Authors: | WANG Shun-gui |
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| Affiliation: | College of Humanities;Suzhou Science and Technology Institute;Suzhou.215009;China |
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| Abstract: | "Do not stick to the conventions of Tang Dynasty" seems to have become modern Song Poetry Faction fun in the greatest aesthetic characterization.Although it is generally ambiguous,it has revealed the fact that Song Poetry faction in the poem by Qufa Legalists is based on the specific content of the text."Ternary and Three" of Song Poetry Faction as the mainstream diligently recovers the text norm,but the specific identification done individually by the sovereign of this mode is not entirely consistent,refle... |
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| Keywords: | Modern Song Poetry Faction acceptable text norm of Song Poetry aesthetic perspective |
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