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审美人类学的形成及其在中国的现状与出路
引用本文:冯宪光,傅其林.审美人类学的形成及其在中国的现状与出路[J].广西民族大学学报,2004(5).
作者姓名:冯宪光  傅其林
作者单位:四川大学中文系 (冯宪光),四川大学中文系(傅其林)
摘    要:审美人类学是美学与人类学跨学科整合的一门新型的复合性交叉学科。它对美学与人类学各自的发展是极有价值的。虽然它是现代性学科分化的结果 ,带有现代学科的特征 ,但是在 2 0世纪 70年代以来的审美人类学研究逐步形成了解构西方现代美学传统的另一种美学形态。审美人类学从 2 0世纪 90年代开始在中国发展 ,取得明显的成就 ,同时还应当在理论建构、资源整合、研究意识与研究方式等方面加强研究 ,以期推进中国审美人类学的建设

关 键 词:审美人类学  意义  现状  出路

The Formation of Aesthetic Anthropology, Its Status Quo in China, and Its Way Out
FENG Xian-guang,FU Qi-lin.The Formation of Aesthetic Anthropology, Its Status Quo in China, and Its Way Out[J].Journal of Guangxi University For Nationalities(Natural Science Edition),2004(5).
Authors:FENG Xian-guang  FU Qi-lin
Abstract:A new interdisciplinary subject integrating aesthetics and anthropology, aesthetic anthropology is of great value to the separate development of aesthetics and anthropology. Although it results from the differentiation of subjects in modernity and has the characteristics of modern subjects, studies on aesthetic anthropology since 1970s have gradually led to another aesthetic form deconstructing the western modern aesthetic tradition. Aesthetic anthropology began to develop in 1990s in China and remarkable achievements have been made ever since, but it still needs reinforcement in the reconstruction of theories, the integration of resources, the consciousness of research, and the methods of study in order to promote the construction of Chinese aesthetic anthropology.
Keywords:aesthetic anthropology  significance  status quo  way out
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