| 个人化诗歌写作与"非个人化"诗学理论 |
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| 引用本文： | 杨晓云. 个人化诗歌写作与"非个人化"诗学理论[J]. 达县师范高等专科学校学报, 2005, 15(6): 61-64 |
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| 作者姓名： | 杨晓云 |
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| 作者单位： | 四川大学文学与新闻学院 四川成都610064 |
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| 摘 要： | 20世纪90年代以来,诗歌写作出现了个人化的创作倾向.诗人从主题创作到把词语当作诗歌写作的尺度,很大程度上动摇了诗歌写作的根基,显示出根本性的变化,诗歌写作出现了困境,读者理解诗歌有了难度.由此,追溯了艾略特的"非个人化"的诗学理论,指出了二者的不同,并认为没有诗人的审美体验,诗歌写作是难以想象的.
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| 关 键 词： | 个人化诗歌写作 " 非个人化" 诗学理论 审美体验 |
| 文章编号： | 1008-4886(2005)06-0061-04 |
| 收稿时间： | 2005-04-29 |
| 修稿时间： | 2005-05-14 |
Personalized Poetry Writing and "Non-personalized" Poetics Theory |
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| YANG Xiao-yun. Personalized Poetry Writing and "Non-personalized" Poetics Theory[J]. Journal of Daxian Teachers College, 2005, 15(6): 61-64 |
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| Authors: | YANG Xiao-yun |
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| Affiliation: | College of Literature and News, Sichuan University, Chengdu Sichuan, 610064, China |
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| Abstract: | Poetry writing takes on a personalized trend since 1920s.The essential change from the thematic writing to poetry writing taking words as a standard,to a great extent,fluctuates the base of poetry writing.Hence poetry writing gets into an embarrassing situation and the audience has a certain difficulties in understanding the poetry.This paper carries up non-personalized poetics by E.S.Eliot and then puts forward differences between these two phenomena and points out there is implausible poetry writing without poet's aesthetic experience. |
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| Keywords: | personalized poetry writing non-personalized poetics theory aestheticexperience |
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