| 论元散曲的解构精神 |
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| 引用本文： | 罗丹,龙丽.论元散曲的解构精神[J].韶关学院学报,2005,26(2):59-61. |
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| 作者姓名： | 罗丹 龙丽 |
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| 作者单位： | 湘潭大学,文学与新闻学院,湖南,湘潭,411105 |
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| 摘 要： | 元朝蒙古统治推行的民族歧视与贱儒政策使得元人们处于双重失落的处境，然而却成了他们重新审视、反思、批判传统和历史的契杌，从而炼就了一种解构精神。元散曲的解构精神突出地体现在：消解儒家传统的价值观念，张扬世俗精神；消解雅学传统，张扬俗学精神。
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| 关 键 词： | 元散曲 解构精神 儒家传统 |
| 文章编号： | 1007-5348(2005)02-0059-03 |
| 修稿时间： | 2004年9月4日 |
On the Deconstruction of Yuan Sanqu |
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| LUO Dan,LONG Li.On the Deconstruction of Yuan Sanqu[J].Journal of Shaoguan University(Social Science Edition),2005,26(2):59-61. |
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| Authors: | LUO Dan LONG Li |
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| Abstract: | The artists of Yuan dynasty met with an awkward and disappointed situation, because of the policy of discrimination to the Han nationality and the Confucian, which was made by the Mongolia dynasty. However, it was a good chance for the artists to know, speculate and criticize the legacy and history, which made the artists possess a kind of deconstruction spirit. This spirit of Yuan Sanqu revealed especially in eliminating the Confucian old concept of value and legacy of noble art, advocating secularism and the secular art. |
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| Keywords: | Sanqu of Yuan dynasty deconstruction spirit Confucious tradition |
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