明女散曲家黄娥与徐媛散曲风格之异同及成因

在散曲创作方面,明代女曲家的数量和人数有明显的增多,女性作家不再像元代那样是些青楼风尘女子,而出现了像黄娥和徐嫒这样的名媛闺秀,赵振铎先生赞之为:"堪称双壁".其二人的散曲风格,特别是从爱情题材的作品中可以看到一质朴本色,尊护曲体;一典雅精工,类词化特征突出.

Similarities, Differences, and Causes of Styles of HUANG E and XU Yuan's Sanqu

In the Ming dynasty, the number of the female Sanqu writers increased dramatically. Unlike those writers in the Yuan dynasty who were all the prostitutes, HUANG E and XUYuan were noble and graceful ladies, and both of them were highly praised as ＂ the double stars＂ by Mr. Zhao Zhengduo. Their styles of Sanqu, especially works of love theme, are characterized as that one is simple, unadorned, and traditional; the other is elegant and refined with the trend of lexicalization.