| 论戏曲之"教化"——焦循关于"花雅之争"的侧重 |
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| 引用本文： | 裴雪莱.论戏曲之"教化"——焦循关于"花雅之争"的侧重[J].新余高专学报,2011,16(2):113-115. |
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| 作者姓名： | 裴雪莱 |
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| 作者单位： | 广西民族大学,文学院,广西南宁,530006 |
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| 摘 要： | 焦循的戏曲理论著作<花部农谭>、<剧说>,尤为赞赏花部戏曲的重要价值,在中国戏曲批评史上产生了重要影响.焦循认为戏曲应具有示范作用,应重视观赏与演出紧密结合,并能同诗歌一样"言志",而某些优秀的花部戏曲确实符合他的审美标准.
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| 关 键 词： | 焦循 戏曲理论 《花部农谭》 《剧说》 示范作用 言志说 |
The Moralization Effect of Traditional Chinese Operas: Jiao Xun's Emphasis on "Competition between Hua troupe and Ya troupe" |
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| PEI Xue-lai.The Moralization Effect of Traditional Chinese Operas: Jiao Xun's Emphasis on "Competition between Hua troupe and Ya troupe"[J].Journal of XinYu College,2011,16(2):113-115. |
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| Authors: | PEI Xue-lai |
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| Institution: | PEI Xue - lai (Guangxi University for Nationalities, Nanning 530006 China) |
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| Abstract: | Jiao Xung two books on opera theories, namely, Huabu Nongtan and Ju Shuo, have had a far- reaching impact on Chinese opera criticism. He believed that operas played an exemplary role, and that the performance should be tightly combined with the audience＇s appreciation. He also maintained that operas could give expression to ＂ ideals＂ as poetu did, and some Hua troupe operas were really in conformity with his aesthetic standards. |
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| Keywords: | Jiao Xun opera theories Huabu Nongtan Ju Shuo exemplary role expression to ideals |
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