| 《诗人之恋》和声语汇的浪漫主义特色 |
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| 引用本文： | 赵旭超.《诗人之恋》和声语汇的浪漫主义特色[J].韶关学院学报,2010,31(5):166-168. |
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| 作者姓名： | 赵旭超 |
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| 作者单位： | 韶关学院,音乐学院,广东,韶关,512005 |
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| 摘 要： | 舒曼的声乐套曲《诗人之恋》,在结构上各自独立,在情节上相互联系,是一个音乐统一体。《诗人之恋》的钢琴声部的和声,不协和和弦的广泛使用、下属功能意义的加重、频繁的离调、调式综合和弦的运用,以及半音化的线性的音乐特色,充分体现了舒曼的浪漫主义抒情风采。
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| 关 键 词： | 舒曼 《诗人之恋》 和声语汇 特色 |
The Romantic Features of Harmonic Vocabulary in Poet's Love |
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| ZHAO Xu-chao.The Romantic Features of Harmonic Vocabulary in Poet''s Love[J].Journal of Shaoguan University(Social Science Edition),2010,31(5):166-168. |
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| Authors: | ZHAO Xu-chao |
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| Institution: | ZHAO Xu-chao(School of Music,Shaoguan University,Shaoguan 512005,Guangdong,China) |
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| Abstract: | Schumann’s vocal divertimento of Poet’s Love is a musical unity,with the independent structures and the interrelated plots.This paper aims to make a deep research about the harmony of piano departments in Poet’s Love from five aspects： the widespread use of inconsonant chords,the status upgrading of subordinate functional significance,the frequent off-tune,the use of modal integrated chords,and the semitone linearity,this fully reflects Schumann’s unique romantic lyrical style. |
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| Keywords: | Schumann Poet’s Love harmony |
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