| 论《奇异的插曲》中人物主体的侵凌性 |
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| 引用本文： | 冯娟. 论《奇异的插曲》中人物主体的侵凌性[J]. 新余高专学报, 2009, 14(5): 36-38 |
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| 作者姓名： | 冯娟 |
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| 作者单位： | 河南工程学院,外语系,河南,新郑,451191 |
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| 摘 要： | 《奇异的插曲》是美国戏剧家尤金.奥尼尔写于1927年并第三次获得普利策奖的一部现实主义戏剧。该剧是美国有史以来最长的戏剧,情节复杂,人物角色极具张力,特别是贯穿于其中的人物的自恋、侵凌性体现了法国精神学派哲学家拉康的自我分裂的主体结构,体现了人物复杂的精神心理路程。
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| 关 键 词： | 《奇异的插曲》 尤金.奥尼尔 自恋 侵凌性 自我分裂 |
On aggression and humiliation of subjects in Strange Interlude |
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| FENG Juan. On aggression and humiliation of subjects in Strange Interlude[J]. Journal of XinYu College, 2009, 14(5): 36-38 |
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| Authors: | FENG Juan |
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| Affiliation: | FENG Juan(Henan Engineering Institute, Xinzhen 451191 China) |
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| Abstract: | Strange Interlude is a realistic drama written by American dramatist Eugene O＇Neill in 1927 who won Pulizer Prize three times.It is the longest drama in the American history.The plot of the drama is complex and its figures have great tension.Especially the figures＇ self-love and aggression and humiliation manifest the subject structure of self-split of Lacan,a philosopher of French psychoanalysis school,as well as the figures＇ complex mental experience. |
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| Keywords: | Strange Interlude Eugene O＇Neill self-love aggression and humiliation self-split |
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