意识形态批评分析——以《阿甘正传》为例

意识形态批评产生于20世纪60年代,是最重要也是最具活力的电影批评理论,对于揭示由大众文化所负载的新主流意识形态的建构过程,保持着现实的活力。影视文学的意识形态批评受益于路易·皮埃尔·阿尔都塞的意识形态国家机器理论。《阿甘正传》这部既在美国国内又在世界上引起轰动的影片正好是进行意识形态批评的恰当文本。从意识形态批评理论的角度对《阿甘正传》进行分析,可知该影片反映了两种意识形态,一是种族问题及和解;二是性别、文化间的冲突与和解。

Analysis of Ideological Criticism

Coming from the 1960s, ideological criticism is the most important and vibrant film criticism theory. It reveals the construction process of the new mainstream ideology by mass culture mainstream and keeps energetic. Ideological criticism on films benefits from Louis Pierre Althusser＇s theory of ideological state apparatus. Forrest Gump, causing a sensation both at home and abroad is the appropriate text to carry on the ideological criticism. Discussing the Forrest Gump from the ideological critical theory, we can find that the film reflect two angles of ideology, including the racial problem and its reconciliation, and conflict and reconciliation between gender and culture respectively.