| 郎世宁静物画风格辨析 |
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| 引用本文： | 张玲丽.郎世宁静物画风格辨析[J].济源职业技术学院学报,2010,9(4):115-117. |
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| 作者姓名： | 张玲丽 |
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| 作者单位： | 焦作师专美术系,河南焦作454100 |
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| 摘 要： | 郎世宁在欧洲油画的基础上吸收中国画技法,形成了一种＂中西合璧＂的独特画风,尤其是在静物画的表现上,有中国传统绘画的题材形式,又融汇了西洋静物画的技法表现。他的静物画体现了特定的艺术风格和审美倾向,这种兼容性深得皇室赏识,一定程度上也反映了清代的统治阶层对待欧洲绘画艺术所能接受的态度,在中国画史上独树一帜。
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| 关 键 词： | 静物画 中国画 西方静物画 表现 内容 融合 |
Discrimination on Lang Shining Still Lives Style |
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| ZHANG Ling-Li.Discrimination on Lang Shining Still Lives Style[J].JOurnal of Jiyuan Vocational and Technical College,2010,9(4):115-117. |
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| Authors: | ZHANG Ling-Li |
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| Institution: | ZHANG Ling-Li(The Faculty of Arts,Jiaozuo Teachers College,Jiaozuo 454100,Henan) |
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| Abstract: | Based on Europe canvas painting techniques and Chinese painting techniques,Lang Shining formed a kind of unique style of combination of Chinese and western techniques,especially in performance of still lives,which owns the subjects form of traditional Chinese paintings and western still lives skill performance.This compatibility is recognized by the royal and,to a certain extent,reflects the attitude of the rulers on European painting,which is unique in Chinese painting history. |
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| Keywords: | still lives Chinese paintings western still lives performance content combination |
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