| 论张炎对词的审美理想 |
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| 引用本文： | 农贝妮. 论张炎对词的审美理想[J]. 河池师专学报, 2008, 0(3): 42-44 |
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| 作者姓名： | 农贝妮 |
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| 作者单位： | 广西师范学院中文学院,广西南宁530001 |
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| 摘 要： | “骚雅”、“清空”、“意趣”是张炎对词的主要审美理想，三者相互影响，相辅相成。“骚雅”是张炎对词审美最核心、最基本的要求，“清空”是“骚雅”最佳的表现形式，是一种笔法，也是一种境界。“意趣”是继“骚雅”、“清空”后更高的艺术追求，是“骚雅”、“清空”的拓展和延伸。
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| 关 键 词： | 《词源》 骚雅 清空 意趣 审美理想 |
On the Aesthetical Ideal of Zhang Yan to Poertry |
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| NONG Bei-ni. On the Aesthetical Ideal of Zhang Yan to Poertry[J]. Journal of Hechi Normal College, 2008, 0(3): 42-44 |
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| Authors: | NONG Bei-ni |
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| Affiliation: | NONG Bei-ni (School of Chinese Language and Literature, Gungxi Teachers Education University, Nanning, Guangxi 530001 ,China) |
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| Abstract: | The main aesthetical ideal of ZhangYan to poertry is ＂refined tastes＂, ＂lucidity＂, and ＂aesthetic interest＂, which mutually interact and perfect. ＂Refined tastes＂ is the center and basic of his aesthetical ideal, while the best performance of ＂refined tastes＂ is ＂lucidity＂ - a creation method, and a bourn as well. Furthermore, ＂aesthetic interest＂ is a hingher artistic standard, which inherits and develops from ＂refined tastes＂ and ＂lucidity＂. . |
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| Keywords: | the Origin of Statement Poetry refined tastes lucidity aesthetic interest aesthetical ideal |
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