| 司空图的诗歌意境理论 |
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| 引用本文： | 普列文.司空图的诗歌意境理论[J].河池师专学报,2008(6):30-37. |
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| 作者姓名： | 普列文 |
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| 作者单位： | 河池学院中文系,广西宜州546300 |
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| 摘 要： | 在中国古代美学的诗歌意境理论史上，司空图的地位无人能比。他是诗歌意境理论的集大成者，就他的整个理论来讲，他像前人一样认为意境是诗的本体，在继承前人的基础上界定了意境的内涵，开创性地划分了诗歌意境的类型。这三方面奠定了他在中国关学史上的地位。
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| 关 键 词： | 司空图 诗歌 意境 |
Sikong Tu＇ s Theory of the Mood of Poetry |
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| PU Lie-wen.Sikong Tu＇ s Theory of the Mood of Poetry[J].Journal of Hechi Normal College,2008(6):30-37. |
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| Authors: | PU Lie-wen |
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| Institution: | PU Lie-wen (Department of Chinese Language and Literature, Hechi University, Yizhou, Guangxi 546300, China) |
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| Abstract: | No one is possible to surpass Sikong Tu in the history of the mood of aesthetic theories of China, whose aesthetic theories of the mood are a synthesis of the aesthetic theories of the mood of the former scholars. His whole theory includes the idea that the mood of poetry is a ontological thing, He also defines the mood of poetry, and creatively divides the mood of poetry into different categories. These three factors lays a foundation of Sikong Tu＇ s position in the aesthetic history of China. |
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| Keywords: | Sikong Tu poetry mood |
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