| 秦汉瓦当艺术简论 |
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| 引用本文： | 安晓东.秦汉瓦当艺术简论[J].西安联合大学学报,2012(5):77-80. |
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| 作者姓名： | 安晓东 |
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| 作者单位： | 西北大学文学院,西安710127 |
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| 基金项目： | 教育部人文社科西部项目“陕西地域文化和文学关系研究——以陕西籍文人及其文学作品为关照主体”（10XJA751002）阶段性成果 |
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| 摘 要： | 秦汉瓦当是中国古代瓦当艺术发展阶段中的顶峰,具有独特的艺术价值。作为一种模仿的艺术,瓦当图纹取材丰富多样,既从自然界中汲取资源,也从宗教意识和社会心理中寻找创作灵感;瓦当艺术至今仍能唤起美的感受,源于形式美的外观及其与人们审美趣味的暗合;秦汉瓦当艺术散发着独特的艺术魅力,但瓦当艺术＂光晕＂的消失又是不可避免的。
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| 关 键 词： | 瓦当 模仿 异质同构 光晕 |
The Art of Eaves Tiles in the Qin and Han Dynasties |
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| Institution: | AN Xiao - dong (Sehool of Liberal Arts, Northwest University, Xi＇an 710127, China) |
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| Abstract: | Eaves files in the Qin and Han Dynasties with a unique artistic value represent the peak of ancient Chi- nese art of eaves tile at its development stage. As a kind of imitation art, their pattems come from various re- sources, some from the nature itself, some from the religious beliefs, others from social psychology. Till today, this art can still arouse the feeling of beauty owing to the coincidence of its exterior beauty in form and people＇s aesthetic taste. It has a unique artistic charm, but its charm is bound to fade away as time goes by. |
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| Keywords: | eaves tiles imitation heterogeneous isomorphism charm |
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