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简淡闲逸,遗貌求神——试析元代绘画“简逸”风格的形成原因
引用本文:黄欣凤.简淡闲逸,遗貌求神——试析元代绘画“简逸”风格的形成原因[J].皖西学院学报,2011,27(4):145-147.
作者姓名:黄欣凤
作者单位:淮南师范学院美术系,安徽淮南,232038
摘    要:元代绘画堪称中国画笔墨发展的最高境界,无论是在笔墨技巧上、意境创造上还是诗书画的结合上都有着新的突破和发展,然而纵观元代绘画作品,却普遍流露出一种逸笔遣兴、清淡写意的风格倾向,以"简逸"为主。一个社会的绘画风格能够如此带有一种倾向性,令人深思。从元代社会文化背景、文人画发展思潮等方面进行了分析和研究,阐述了元代绘画"简逸"风格倾向形成的原因所在。

关 键 词:元代绘画  简逸  文人画  古意  禅道思想

Simplicity and Leisureliness——Exploring the Reasons Why Painting Styles in Yuan Dynasty Are Simplicity and Leisureliness
HUANG Xin-feng.Simplicity and Leisureliness——Exploring the Reasons Why Painting Styles in Yuan Dynasty Are Simplicity and Leisureliness[J].Journal of Wanxi University,2011,27(4):145-147.
Authors:HUANG Xin-feng
Institution:HUANG Xin-feng(Department of Fine Arts,Huainan Normal University,Huainan 232038,China)
Abstract:Brushwork in Yuan Dynasty,which is in the highest state of Chinese painting development,has new breakthrough and development both in pen and ink technique and in artistic creation.However throughout the Yuan Danasty,brushwork generally shows a style of relaxing Simplicity and leisureliness is the distinguishing feature.Paintings with such a style can be deeply thought over.The article will analyze and explore the reasons of such a style from the aspects of cultural background in Yuan Dynasty,and the trend of literati's paintings
Keywords:brushwork in Yuan Dynasty  simplicity and leisureliness  literati's painting  ancient conception  Zen and Taoism
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