审美对功利的兼容--李长之的审美批评观

中国现代文学批评有两大维度,一是社会功利维度,一是审美维度.但具体到批评家,两大维度往往并不是泾渭分明的,李长之的文学批评就是例证.他强调艺术不为用并不碍其有大用,体现了审美维度对社会功利维度的兼容,他对社会维度的承认统一于"文学性"和"审美性"前提当中.这种价值取向体现了民族危亡时期非主流批评家强烈的社会责任感.

Estheticall Compatibility with Utility: Li Changzhi's Esthetic Criticism View

The Chinese modern literary criticism has two big dimensions:one is the social utility dimension,the other is the esthetic dimension.But to the critics,two big dimensions often are not distinguished right from wrong,Li Changzhi's literary criticism is an illustration.He stressed that,art did not use and does not hinder its uses,to manifest the esthetic dimension greatly to the social utility dimension compatibility,he unifies the social dimension acknowledgement in "literature significance" and "esthetic appreciation" in the middle of the premise.This kind of value orientation has manifested the national in peril time non-mainstream critic's intense society sense of responsibility.