| 中国"神人纹"探源——文山岩画的宗教内涵剖析之三 |
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| 引用本文： | 黄懿陆.中国"神人纹"探源——文山岩画的宗教内涵剖析之三[J].文山师范高等专科学校学报,2007,20(4):1-4. |
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| 作者姓名： | 黄懿陆 |
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| 作者单位： | 云南抚仙湖文明研究中心 |
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| 摘 要： | 通过"大王岩画"中"盘古阴阳夫妻"、其足下"神人"与仰韶文化遗址所见"神人纹"的比较研究,提出仰韶文化遗址所见"神人纹"和远古人类的宗法观念有关。提出有关仰韶文化遗址所见"神人纹"的称谓或命名是准确无误的。而且,云南省文山壮族苗族自治州麻栗坡"大王岩画",应该是仰韶文化遗址所见"神人纹"源头可靠的考古证据。
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| 关 键 词： | 仰韶文化 大王岩画 神人纹 研究 |
| 文章编号： | 1671-3303（2007）04-0001-04 |
| 收稿时间： | 2007-10-15 |
| 修稿时间： | 2007年10月15 |
The Deviation of Chinese God-Man——The Third Analysis of the religious Connotation of Wenshan Rock Paintings |
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| HUANG Yi-lu.The Deviation of Chinese God-Man——The Third Analysis of the religious Connotation of Wenshan Rock Paintings[J].Journal of Wenshan Teachers College,2007,20(4):1-4. |
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| Authors: | HUANG Yi-lu |
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| Abstract: | Comparing Pangu Yin-Yang Man and Wife and God man in Dawang rock painting with God man in Yang- shaocun Culture,the paper proposes that God-Man in ruins of Yangshaocun Culture bears some relations with the religious belief in ancient times,it was named perfectly and might derive from Dawang rock painting discovered in Malipo Wenshan Miao autonomous prefecture. |
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| Keywords: | Yangshaocun Culture Dawang rock painting God-Man research |
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