| 纪录下来的时间——浅论塔尔柯夫斯基的电影美学思想 |
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| 引用本文： | 李寒阳.纪录下来的时间——浅论塔尔柯夫斯基的电影美学思想[J].漳州师院学报,2005,19(4):58-61. |
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| 作者姓名： | 李寒阳 |
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| 作者单位： | 漳州师范学院中文系,福建漳州363000 |
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| 摘 要： | 塔尔柯夫斯基是20世纪世界最重要的电影艺术家之一,是俄罗斯电影艺术的主要代表人物.塔尔柯夫斯基的作品,不但以极具独创性的影像语言创造了一个丰富、博太并具有永恒生命力的艺术世界,而且更针对现时代人类生存所面临的最主要问题--价值世界的根本基础问题进行了深刻的、富于启示意义的探索.其以"纪录下来的时间"为核心的电影观念则显示了他对于电影与时间的关系,亦即对电影的根本美学特性的理解,并可以此作为通向其博大渊深的精神宇宙的一个入口.
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| 关 键 词： | 塔尔柯夫斯基 电影艺术 时间 纪录 观察 |
| 文章编号： | 1004-468X(2005)04-58-04 |
| 收稿时间： | 09 1 2005 12:00AM |
| 修稿时间： | 2005年9月1日 |
"Recorded Time"--On Tarkovsky's Thought of Film Aesthetics |
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| LI Han-yang."Recorded Time"--On Tarkovsky's Thought of Film Aesthetics[J].Journal of ZhangZhou Teachers College(Philosophy & Social Sciences),2005,19(4):58-61. |
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| Authors: | LI Han-yang |
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| Institution: | LI Han - yang |
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| Abstract: | A. A. Tarkovsky is one of the greatest film artists of Russia as well as the whole world of the 20th century. Deep philosophical context is inherent in his films, as well as combination of the poetic with the spectacular, and deep concern for the fate of the humankind. And his film notion --centered by recorded time" , reveals his understanding of the relation between film and time , that is , the basic aesthetic character of cinema, and therefore offers an important entrance to his spiritual cosmos of great richness and profoundity. |
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| Keywords: | Tarkovsky film art time record observation |
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