| 中国古代文字观之书体发生学意义 |
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| 引用本文： | 高雅梅.中国古代文字观之书体发生学意义[J].晋中学院学报,2009,26(5):106-108. |
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| 作者姓名： | 高雅梅 |
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| 作者单位： | 太原理工大学,轻纺工程与美术学院,山西,晋中,030600 |
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| 摘 要： | 中国古代关于文字起源的说法主要有两个系统:源于易卦说和仓颉造字说。若从书体发生学的视角而言,其中的"仓颉造字"说,不仅体现了古人关于文字创造本末倒置的认识模式,而且,中国古代最初关于书体发生学的本末倒置的观念意识,也始于这些关于文字源起的神话。
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| 关 键 词： | 文字源起 文字观 书体发生论 |
The Significance for the Subject of Calligraphy Style Emerging of the Chinese Character View in Ancient Times of China |
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| GAO Ya-mei.The Significance for the Subject of Calligraphy Style Emerging of the Chinese Character View in Ancient Times of China[J].Journal of Jinzhong University,2009,26(5):106-108. |
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| Authors: | GAO Ya-mei |
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| Institution: | College of Light Textile Engineering & Art;Taiyuan University of Technology;Jinzhong 030600;China |
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| Abstract: | There are two systems about the origin of Chinese characters in ancient times of China: the Eight Trigrams and the character making of Cang Jie.From the view of the subject of calligraphy style emerging,the character making of Cang Jie embodies the ancients' cognitive model of taking the branch for the root about character making.Furthermore,some views of taking the branch for the root about the subject of calligraphy style emerging in ancient times of China also originate from these myths about character o... |
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| Keywords: | the origin of Chinese characters the subject of character the view of calligraphy style emerging |
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