《诗式》和《韵光》－中、印诗歌艺术理论话语的嬗变

中国和印度的诗歌艺术理论最早都是建立在语言学的基础上。刘勰的《文心雕龙》，钟嵘的《诗品》，婆摩柯的《诗庄严论》，檀丁的《诗镜》等诗歌艺术理论都使用语言学话语。以皎然的《诗式》和欢增的《韵光》为标志，中、印的诗歌艺术理论形成了以诗学话语建构的诗歌艺术理论体系。中、印诗歌艺术理论话语的演变，反映了诗歌艺术理论发展的某些规律，其异同与它们的文化传统，语言信仰和思维方式等有关。

Poetic Mode and Rhyme and Light-- the Evolution of the Discourse of the Artistic Theory of Poetry in China and India

The artistic theory of poetry in both China and India firstly was based on linguistics.Wen Xin Diao Long (Comment on Literary) by Liu xie,Poetic Mode of Zhong Rong,Mopoke's On Solemnity of Poetry and Tan Ding's Mirror of Poetry etc.were all written in linguistic discourse.Marked with Poetic Mode of Jiao Ran and Rhyme and Light of Huan Zeng,the artistic theory of poetry in China and Idia had formed a theoretic system of artistic theory of poetry with poetic discourse as its frame.The evolution of the artistic theory of poetry of China and Idia reflected certain laws of the development of them.The similarities and differences between them have relations to their cultural tradition,language,belief,and thinking style.