王夫之诗学“情景合一”论研究

王夫之，作为明清之际中国早期启蒙思想的代表性人物，其博大精深的思想体系，对中国传统学术而言，既是总结性的批判，同时又闪烁出现代意义的光辉。在其诗学、美学思想之中，对“情”与“景”的论述尤为全面，许多方面在继承前人的同时，又突破了前人的局限，将情景学说推向了新的理论高峰。

On Wang Fuzhi＇s Syncretism of ＂Sentiment＂ and ＂Scenery＂ in His Poetics

Wang fuzhi, the Ming and Qing Dynasties initiation thought representative character, whose erudite and profound learning and ideology, not only is the summary critique, but also simultaneously glitters the modern significance emitting light, for Chinese tradional academic. Especially, he dissertate comprehensively on ＂sentiment＂ and ＂scenery＂ in his poetics and aesthetics thought, while inherited predecessor＇s, also broke through predecessor＇s limitation, Pushed the ＂sentiment＂ and ＂scenery＂ theory to the new theory peak.