| 南北朝的书法美趣与诗歌创作 |
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| 引用本文： | 周唯一.南北朝的书法美趣与诗歌创作[J].衡阳师专学报,2008(5):83-88. |
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| 作者姓名： | 周唯一 |
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| 作者单位： | 衡阳师范学院中文系,湖南衡阳421008 |
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| 摘 要： | 书法与诗歌，是南北朝两朵瑰丽的奇葩，二者关系甚密。南北朝书法兴起于秦汉魏晋书法的基础上，其创作，北朝尚碑，故碑书尤兴；南朝禁碑，文人习书，仅在尺素之间，故隶草盛行。其书法之美趣为“力”、“韵”、“意”，这既是他们书法创作的追求，也是他们用来衡量书法优劣的标准。南北朝诗人得此美趣之后，致力于诗歌理论的研究和艺术关的创造，并灵活处理了三者之关系，打通了书法同诗歌之关节。
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| 关 键 词： | 书法 诗歌 力 韵 意 |
On Relation between Northern-Southern-Dynasty＇s Calligraphic Charms and Poetic Creation |
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| ZHOU Wei-yi.On Relation between Northern-Southern-Dynasty＇s Calligraphic Charms and Poetic Creation[J].Journal of Hengyang Normal University,2008(5):83-88. |
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| Authors: | ZHOU Wei-yi |
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| Institution: | ZHOU Wei-yi (Chinese Department, Hengyang Normal University, Hengyang Hunan 421008, China) |
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| Abstract: | The Northern-Southern Dynasty enjoys a good reputation both in calligraphy and poem, between which there are close-knit ties. Calligraphy of this age is based the far-gone style. ＂Dynamic＂, ＂rhythm＂ and ＂artistic fun＂ are much valued, which is borrowed into poetic theory. After the poets findging the wonders of the three-point-combination, a good trend is set between Calligraphy and poetry in that age. |
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| Keywords: | calligraphy poem dynamic rhythm artistic fun |
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