| 浙江的道教与戏剧 |
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| 引用本文： | 徐宏图. 浙江的道教与戏剧[J]. 杭州师范学院学报(社会科学版), 2005, 0(6): 37-41 |
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| 作者姓名： | 徐宏图 |
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| 作者单位： | 浙江省艺术研究所,浙江,杭州,310012 |
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| 摘 要： | 从浙江道教与戏剧的历史及现状入手,以田野调查所获的第一手资料为依据,客观地论述道教仪式与戏剧的密切关系:戏剧不仅在起源方面离不开道教,是道教仪式戏剧化、舞台化、民俗化的结果,而且以道教仪式为载体、与内坛法事互补互动、有机统一,赖道教仪式以生存,并从道教仪式中获得大量观众和市场,以求得自身的不断壮大和发展。
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| 关 键 词： | 道教仪式 戏剧 互补互动 有机统一 |
| 文章编号： | 1000-2146(2005)06-0037-05 |
| 修稿时间： | 2005-05-22 |
Daoism and Drama in Zhejiang |
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| XU Hong-tu. Daoism and Drama in Zhejiang[J]. Journal of Hangzhou Teachers College(Humanities and Social Sciences), 2005, 0(6): 37-41 |
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| Authors: | XU Hong-tu |
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| Abstract: | This paper,based on an analysis of the history and status quo of Daoism and drama in Zhejiang,by adopting a field research method,objectively discusses the close relationship between Daoist rituals and drama. Drama was inherently originated from Daoism and was a product of the dramatization,stage effect and folklore of Daoist rituals.Moreover,it relied on Taoist rituals as media and made complementary and integrated interactions with them. Finally,drama drew a large audience and gained a big market from Daoist rituals for its own development. |
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| Keywords: | Daoist rituals drama complementary interaction unity |
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