双面的雅努斯——试析巴赫金美学人类学主体性的涵义问题

审美创造主体论是巴赫金美学思想的核心 ,涵义结构复杂 ,但这个结构整体上却有鲜明的特征 :一体双义。他既是外位整体的审美观照者 /创造者 ,又因对他者的当下直观产生交互性的同情体验而成为一个形象化的客体性人物。反映在作品创造中 ,一方面他是一个不可论定者 ,同时又客体化为两付“面具” ,成为叙述人和主人公 ;另一方面 ,读者从作品整体的形式中能感受到他把握语言的艺术功力 ,而这一能力却来自大时代文化史的形塑

Janus with Double-Face

The theory of aesthetic creative subject is the core of Bakhtin's aesthetic idea,with a complex structure of meanings and an outstanding characteristics of "double meanings in a body". He is not only an outside and whole aesthetic perceiver/creator,but also an imaged and objectified character because of the inter-sympathy with others in direct perceiving.In literary creation,on the one hand,he is an inestimable man,at the same time,putting on two masks-a narrative and a character;on the other hand,readers can experience his creative ability of controlling artistic form of language in works.However his ability come from the mould of the cultural history in "the Big Era".