| 泛亚视域中的家国模式与离散叙事——谢晋电影《最后的贵族》的个案意义 |
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| 引用本文： | 聂伟. 泛亚视域中的家国模式与离散叙事——谢晋电影《最后的贵族》的个案意义[J]. 杭州师范学院学报(社会科学版), 2009, 31(1): 59-64 |
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| 作者姓名： | 聂伟 |
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| 作者单位： | 上海大学,电影艺术技术学院,上海,200072 |
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| 基金项目： | 上海市教委重点学科电影学项目 |
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| 摘 要： | 谢晋电影创作的泛亚意义,可以"家国"模式、文化"原乡"与离散叙事为切入点加以讨论.<天云山传奇><牧马人>和<芙蓉镇>为代表的家国一体化叙事源自中国电影的传统审美经验,丰富了亚洲同类型电影的美学形态.<最后的贵族>开启了导演的创作转型,在疏离政治宏大叙事的同时,尝试拓展个体经验之外的影像表述.论文以泛亚电影语境中的离散书写为背景,通过文学文本与电影文本的比较阅读,分析<最后的贵族>与亚洲电影"离散"叙事的类型对接,由此凸显谢晋电影的泛亚意义.
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| 关 键 词： | 谢晋 家国模式 文化原乡 离散叙事 泛亚性 |
National Pattern and Diasporic Narrative in the Pan-Asian Horizon——The Implication of The Last Aristocrat as a Case |
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| NIE Wei. National Pattern and Diasporic Narrative in the Pan-Asian Horizon——The Implication of The Last Aristocrat as a Case[J]. Journal of Hangzhou Teachers College(Humanities and Social Sciences), 2009, 31(1): 59-64 |
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| Authors: | NIE Wei |
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| Affiliation: | School of Film and TV Arts & Technology;Shanghai University;Shanghai 200072;China |
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| Abstract: | To discuss the Pan-Asian meaning in Director Xie Jin's movies,the starting point is located at the "national" pattern,cultural "original land" and diasporic narrative.Just like Legend of Tianyun Mountain,The Herdsman and Hibiscus Town,the narrative between the country and family was integrated.It not only reflected the traditionally aesthetical experience but also enriched the aesthetical genre in Asian movie.The Last Aristocrat opened the transformation in the Director's creation and expanded the image rep... |
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| Keywords: | Xie Jin national pattern cultural " original land" diasporic narrative Pan-Asian significance |
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