| 论中西艺术否定观的差异及其元思维底线 |
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| 引用本文： | 王东,朱逸宁. 论中西艺术否定观的差异及其元思维底线[J]. 萍乡高等专科学校学报, 2009, 26(5): 39-43 |
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| 作者姓名： | 王东 朱逸宁 |
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| 作者单位： | 南京信息工程大学,语言文化学院,江苏,南京,210044 |
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| 基金项目： | 江苏省教育厅高校哲学社会科学基金指导项目"艺术否定性与和谐价值的社会诉求" |
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| 摘 要： | 中西艺术形态和风格的差异是由中西艺术否定观决定的。中国艺术否定观对待艺术与现实的关系是"相通"、"合一",而西方则认定为"距离",这样的艺术观念差异从元思维来看,则又逃不过中国的"天人合一"和西方的主客二元对立的元思维底线。
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| 关 键 词： | 艺术否定观 差异 元思维 |
Discussion on the Differece of Chinese and Western Art Negation Concept and Its Meta-thinking Bottom-line |
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| Wang Dong,Zhu Yi'ning. Discussion on the Differece of Chinese and Western Art Negation Concept and Its Meta-thinking Bottom-line[J]. Journal of Pingxiang College, 2009, 26(5): 39-43 |
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| Authors: | Wang Dong Zhu Yi'ning |
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| Affiliation: | Wang Dong, Zhu Yi＇ning (College of Language and Culture, Nanjing University of Information Science and Teehnology, Nanjing 210044, China) |
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| Abstract: | The difference between Chinese and Western art form and style is determined by their own art negation concepts.The way Chinese art negation concept treat the relationship between art and reality is ＂connected＂ and ＂unity＂,while the western is identified as ＂distance＂.From the view of meta-thinking,such difference is decided by the meta-thinking bottom-line which is ＂harmony between man and nature＂ in China and ＂the subject-object dualism＂ in western countries. |
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| Keywords: | art negation concept difference meta-thinking |
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