| 试论雕塑造型的触觉美感 |
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| 引用本文： | 田国林. 试论雕塑造型的触觉美感[J]. 长春大学学报, 2004, 14(5): 93-95 |
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| 作者姓名： | 田国林 |
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| 作者单位： | 吉林艺术学院美术学院 吉林长春 130021 |
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| 摘 要： | 触觉感是区别于视觉感的主观创造类型。罗丹作为雕塑领域大胆的创新者对雕塑的古典和现代风格起到承上启下的作用。本文以罗丹为分界,从触觉感受的角度,论述了从古代到希腊化时期至现代的布朗库西、贾科梅蒂、亨利·摩尔等不同时期的雕塑艺术形态。
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| 关 键 词： | 触觉感 罗丹 心理感受 |
| 文章编号： | 1009-3907(2004)05-0093-03 |
| 修稿时间： | 2003-09-10 |
Talk about the aesthetic feeling of touch sense of sculpture modelling |
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| TIAN Guo-lin. Talk about the aesthetic feeling of touch sense of sculpture modelling[J]. Journal of Changchun University, 2004, 14(5): 93-95 |
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| Authors: | TIAN Guo-lin |
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| Abstract: | The touch sense is a subjective creation type which is different from the vision sense.As a bold innovation of the sculpture field,Rodin is the person who forms a connecting link on the classical and the modern style to the sculpture.Taking Rodin as boundary,from angle of touching experience,the text expounds the sculpture articstic forms at the different periods from ancientry to crecization,modern Brownkuxi,Jiake Meidin and Henry Mole. |
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| Keywords: | touch sense Rodin psycholagical experiencing |
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