| 元代包公戏中始乱终弃女性形象论略 |
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| 引用本文： | 李彩云,高长山.元代包公戏中始乱终弃女性形象论略[J].韶关学院学报,2012,33(9):34-36. |
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| 作者姓名： | 李彩云 高长山 |
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| 作者单位： | 1. 伊犁师范学院人文学院,新疆伊宁,835000
2. 东北师范大学文学院,吉林长春,130024 |
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| 摘 要： | 元代包公戏中塑造了众多的女性形象,这些女性形象各具特色,展示了元代社会特殊的经济、政治及文化风貌。剧作者通过始乱终弃的女性形象的典型刻画,展现出封建社会中妇女的悲惨遭遇,间接反映了不同阶级间道德观念的冲突。
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| 关 键 词： | 包公戏 始乱终弃 女性形象 |
Study on the Discarded Women in BaoGong's Drama of Yuan Dynasty |
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| LI Cai-yun,GAO Chang-shan.Study on the Discarded Women in BaoGong's Drama of Yuan Dynasty[J].Journal of Shaoguan University(Social Science Edition),2012,33(9):34-36. |
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| Authors: | LI Cai-yun GAO Chang-shan |
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| Institution: | (College of Humanities ,Yili Normal University, Yining 835000, Xinjiang, China) |
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| Abstract: | Baogong Drama of Yuan Dynasty presents many distinctive female images. The playwrights have shown us the characteristics of the economy, politics and culture of Yuan Dynasty society. This article focuses on the image of women who were discarded in order to show the tragic experiences of women in feudal society, reflecting the conflict of moral values in the different classes. |
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| Keywords: | Baogong drama of Yuan dynasty discarding the woman images |
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