| 论《无声戏》对话本小说的继承与革新 |
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| 引用本文： | 代顺丽.论《无声戏》对话本小说的继承与革新[J].漳州师院学报,2004,18(2):65-70. |
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| 作者姓名： | 代顺丽 |
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| 作者单位： | 漳州师范学院中文系 福建漳州363000 |
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| 摘 要： | 李渔是清初一位具有多方面成就的文学家.多年来,学术界更多重视对其戏曲理论和戏曲创作的研究,而对其小说创作则有所忽视.<无声戏>是李渔的第一部白话短篇小说集,至今还未被专门研究过.及于此,从其新颖的内容,体制的革新的戏剧化的艺术技巧等三个方面,探讨李渔对传统话本小说的继承与革新.
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| 关 键 词： | <无声戏> 内容 体制 戏剧化 |
| 文章编号： | 1004-468X(2004)02-65-06 |
| 修稿时间： | 2004年3月19日 |
The Inheritance and Innovation from the Tradition of the Silent Drama |
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| DAI Shun-li.The Inheritance and Innovation from the Tradition of the Silent Drama[J].Journal of ZhangZhou Teachers College(Philosophy & Social Sciences),2004,18(2):65-70. |
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| Authors: | DAI Shun-li |
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| Institution: | DAI Shun-li |
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| Abstract: | Li Yu was one of the most famous workers at the beginning of the Qing Dynasty.The Silent Drama is his first album of twelve short stories. In the text, the author discussed its inheritance and innovation from the traditional short stories from such aspects:the substantial contents,the special system,and the dramatic technique. |
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| Keywords: | the Silent Drama contents system the dramatic technique |
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