| 中国古代经典小说美学风格的变换及其意蕴 |
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| 引用本文： | 陈国学.中国古代经典小说美学风格的变换及其意蕴[J].孝感学院学报,2004,24(4):58-62. |
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| 作者姓名： | 陈国学 |
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| 作者单位： | 孝感学院,文学院,湖北,孝感,432000 |
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| 摘 要： | 经典小说的场景由战场转到家庭，风格由豪放转向细腻，不是一个简单的小说美学的问题，其中包含着民族心灵与价值观嬗变的历史。在其叛逆性人物的分量逐渐加重中，在对物质生活与男女之情的逐渐增加的描写里，在主体角色由男性变为女性时，中华民族的通俗文学渐渐平实地对待人性，尊重人性，渐渐地走向了近代。
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| 关 键 词： | 经典小说 叛逆 人物 物欲 男女之情 |
| 文章编号： | 1671-2544(2004)04-0058-05 |
The Implication of the Transformation of Aesthetic Style in Chinese Classics |
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| CHEN Guo-xue.The Implication of the Transformation of Aesthetic Style in Chinese Classics[J].JOURNAL OF XIAOGAN UNIVERSITY,2004,24(4):58-62. |
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| Authors: | CHEN Guo-xue |
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| Abstract: | The changeable scenes of Chinese classic stories from battlefields to family life constitute the shifted styles from the unstrained to the subtle. This transformation is not a pure issue in aesthetics, but a reflection of the national soul and value. However, Chinese light literature has gradually mediocritized to respect life and personality, having observed its transformed characteristics: rebellious characters being highlighted, affection and materialism intensified, and protagonists feminized. |
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| Keywords: | Chinese classics rebel character material lust affection |
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