| 建国后17年中国人物画发展的现实思考 |
| |
| 引用本文： | 宋艳丽,李向影.建国后17年中国人物画发展的现实思考[J].泰山学院学报,2007,29(4):42-44. |
| |
| 作者姓名： | 宋艳丽 李向影 |
| |
| 作者单位： | 1. 泰山学院,美术系
2. 泰山学院,院长办公室,山东,泰安,271021 |
| |
| 摘 要： | 晚清、民国时期,中国人物画退居次要位置,直到新中国成立后,特别是建国后17年间,中国人物画在造型、色彩、题材以及形式等方面进行了深刻的变革,对中国人物画自身的进一步发展提供了动力。
|
| 关 键 词： | 建国后 中国人物画 发展 现实思考 |
| 文章编号： | 1672-2590（2007）04-0042-03 |
| 修稿时间： | 2007-04-15 |
The realistic thought on the development of Chinese figure painting in 17years since PRC's foundation |
| |
| SONG Yan-li,LI Xiang-ying.The realistic thought on the development of Chinese figure painting in 17years since PRC''''s foundation[J].Journal of Taishan University,2007,29(4):42-44. |
| |
| Authors: | SONG Yan-li LI Xiang-ying |
| |
| Abstract: | During the later Qing dynasty and the time of the Republic of China,the Chinese Figure Painting had retreated to the secondary position until the establishment of the new China.It carried on a deep change in the shape,color,topic and form and so on especially in the following 17 years,which provides great power for the further development of Chinese Figure Painting. |
| |
| Keywords: | after the foundation of China Chinese figure painting development realistic thought |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
