| "无乐之乐,乐之至也"--陶渊明"性不解音"解读 |
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| 引用本文： | 史国良. "无乐之乐,乐之至也"--陶渊明"性不解音"解读[J]. 晋中学院学报, 2004, 21(1): 35-37 |
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| 作者姓名： | 史国良 |
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| 作者单位： | 西北师范大学,甘肃,兰州,730070 |
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| 摘 要： | 史载陶渊明"性不解音",其实陶渊明对音乐的深刻理解是不拘泥于具体的曲调、音符,而只寻音乐的真谛的.他去掉琴的弦、徵,手抚素琴,独与宇宙精神相往来,追求的正是"乐之至"的"无乐之乐".
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| 关 键 词： | 陶渊明 无弦琴 " 性不解音" 无乐之乐 |
| 文章编号： | 1009-7058(2004)01-0035-03 |
| 修稿时间： | 2003-12-01 |
Music without Sound is the Best Music Interpretation of Tao Yuan-ming's Being Unable to Understand Music |
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| SHI Guo- liang. Music without Sound is the Best Music Interpretation of Tao Yuan-ming's Being Unable to Understand Music[J]. Journal of Jinzhong University, 2004, 21(1): 35-37 |
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| Authors: | SHI Guo- liang |
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| Abstract: | Tao Yuan - ming was unable to understand music according to historical records. In fact Tao Yuan - ruing has a deep understanding of music. He only seeks the true essence of music but does not adhere to the concrete tone and note. He plays qin with strings and note 5 removed and keeeps contact with the spirit of universe. He believes music with no sound is the best, and this is his real pursuit. |
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| Keywords: | Tao Yuan-ming qin without strings being unable to understand music music with no sound |
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