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结着"愁怨"的姑娘——中国古代女性诗歌的"幽怨"美
引用本文:余飞,赵敏.结着"愁怨"的姑娘——中国古代女性诗歌的"幽怨"美[J].文山师范高等专科学校学报,2007,20(4):52-55.
作者姓名:余飞  赵敏
作者单位:1. 华东师范大学,人文学院,上海,200062;运河高等师范学校,江苏,邳州,221300
2. 华东师范大学,人文学院,上海,200062;文山师范高等专科学校,中文系,云南,文山,663000
摘    要:古代女性诗歌在古代文学里占有一定地位。虽然古代女子地位低下,所接触的生活和社会狭窄,但在其诗歌里表现出来的是一种她们各自独特的经历。女诗人们把郁积的审美心理渗入到具体的创作实践,在观照客体时常常表现出触景生悲、咏物心悲、抒怀伤悲等特征。而这些诗的落脚点也往往围绕着诗人个体的命运际遇而展开,然后表现悲剧性的历史画面和历史情绪,体现了孔子所说的"诗可以怨"的美学原则。

关 键 词:女性  女性诗歌  幽怨  幽怨美
文章编号:1671-3303(2007)04-0052-04
收稿时间:2007-07-05
修稿时间:2007年7月5日

The Females with Plaintiveness——The Poetry's Beauty of Chinese Ancient Poetess
YU Fei,ZHAO-Min.The Females with Plaintiveness——The Poetry''''s Beauty of Chinese Ancient Poetess[J].Journal of Wenshan Teachers College,2007,20(4):52-55.
Authors:YU Fei  ZHAO-Min
Abstract:The poetry written by poetess has occupied some places in ancient Chinese literature.Although the ancient females had the low social positions,thus resulting in limited social intercourse,but they showed their own,experiences in their poems.The ancient poetess always brought their melancholy emotion into poetic compositions,expressing hidden woes.All the poems centered about the poetess' individual fortunes and displayed tragic scenes and emotions which repre- sented the principles of"poems emblem plaintiveness"by Confucius.
Keywords:female  female poetry  plaintiveness  beauty of plaintiveness  
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