首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论元代爱情剧中宗教观念的世俗化特征及其文化意蕴
引用本文:郁玉英.论元代爱情剧中宗教观念的世俗化特征及其文化意蕴[J].井冈山学院学报,2009,30(3):46-50.
作者姓名:郁玉英
作者单位:井冈山大学人文学院,江西,吉安,343009  
摘    要:元代爱情剧中的宗教观念有着鲜明的世俗化特征。其中形神二元的宗教观念被借为实现世俗现世愿望的工具,当中的神灵形象带有明显的世俗化色彩,而宗教圣地和佛寺长老等也被揭下了神圣的面纱,烙下了世俗的印记。剧作这一特点映照出当时的文人被迫远离权力中心,接近下层普通大众,因而具有独立文化品格的生存状态和直面世俗欲望的文化心理。

关 键 词:元代爱情剧  宗教观  世俗化  文化意蕴

On the Religious View of the Romance Plays in Yuan Dynasty and the cultural implication
YU Yuying.On the Religious View of the Romance Plays in Yuan Dynasty and the cultural implication[J].Journal of Jinggangshan University,2009,30(3):46-50.
Authors:YU Yuying
Institution:School of Humanities Jinggangshan University;Ji'an 343009;China
Abstract:The religious concepts in romence plays of Yuan Dynasty have distinctive secular features.Binary images of religious ideas are worldly tools,which is used to achieve secular desires.Among these,the images of gods obviousely contain worldly color.So are the holy religious place and the Buddhism temples holder.The features of this kind of plays reflected the live state of that time in which they are nearlies forced away from the power,their cultural personalities are independent,and their cultural psychologie...
Keywords:the Yuan Dynasty Romonce plays  the religious concepts  secularization  cultural implications  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号